m

Book-It Repertory Theatre

Jane Jones

Founder, Founding Co-Artistic Director

Jane is the founder of Book-It and founding co-artistic director of Book-It Repertory Theatre, with Myra Platt. In her 28 years of staging literature, she has performed, adapted, and directed works by such literary giants as Charles Dickens, Eudora Welty, Edith Wharton, Kurt Vonnegut Jr., Pam Houston, Raymond Carver, Frank O’Connor, Ernest Hemingway, Colette, Amy Bloom, John Irving, John Steinbeck, Daphne du Maurier, and Jane Austen. A veteran actress of 30 years, she has played leading roles in many of America’s most prominent regional theatres. Most recently, she played the role of Miss Havisham in Book-It’s Great Expectations. Film and TV credits include The Hand That Rocks the Cradle, Singles, Homeward Bound, “Twin Peaks,” and Rose Red. She co-directed with Tom Hulce at Seattle Rep, Peter Parnell’s adaptation of John Irving’s The Cider House Rules, Parts I and II, which enjoyed successful runs here in Seattle, at the Mark Taper Forum in Los Angeles (Ovation Award, best director) and in New York (Drama Desk Nomination, best director). Jane directed CyranoPride and Prejudice, and Twelfth Night at Portland Center Stage which won the 2008 Drammy award for Best Direction and Production. For Book-It, she has directed A Moveable Feast, The Dog of the South, Adventures of Huckleberry Finn: Uncensored, Truth Like the Sun, The House of Mirth, The Highest Tide, Travels with Charley, Pride and Prejudice, Howard’s End, In a Shallow Grave, The Awakening, Owen Meany’s Christmas Pageant, A Tale of Two Cities, and The Cider House Rules, Parts I and II, winner of the 2010 and 2011 Gregory Awards for Outstanding Production. In 2008 she, Myra Platt, and Book-It were honored to be named by the Seattle Times among seven Unsung Heroes and Uncommon Genius for their 20-year contribution to life in the Puget Sound region. She is a recipient of the 2009 Women’s University Club of Seattle Brava Award, a 2010 Women of Influence award from Puget Sound Business Journal, and the Paul G. Allen Family Foundation’s 20th Anniversary Founders Grant, and was a finalist for the American Union for Stage Directors and Choreographers Foundation’s 2012 Zelda Fichandler Award.

Myra Platt

Founding Co-Artistic Director

As an original founding member of Book-It, Myra has helped produce over 125 world-premiere mainstage productions and over 30 education touring productions. Most recently she directed and adapted the two-part epic of David James Duncan’s novel The Brothers K and directed The Amazing Adventures of Kavalier & Clay (2014 Gregory Award for Outstanding Production, The Seattle Times Footlight Award). She was nominated for Outstanding Director 2012 (Financial Lives of the Poets) and 2014 (Kavalier & Clay). Directing credits include Little Bee, The Financial Lives of the Poets, The River Why, Persuasion, Night Flight: An Operetta, Red Ranger Came Calling, The House of the Spirits, Plainsong, Cry, the Beloved Country, Sweet Thursday, Giant, I Know Why the Caged Bird Sings, Cowboys Are My Weakness, Roman Fever, A Little Cloud, A Telephone Call, and A Child’s Christmas in Wales. Adapting credits include Little Bee, The Financial Lives of the Poets, The River Why, Night Flight: An Operetta, Red Ranger Came Calling, The House of the Spirits, Giant, I Know Why the Caged Bird Sings, Cowboys Are My Weakness, Roman Fever, A Little Cloud, A Telephone Call, A Child’s Christmas in Wales, The Art of Racing in the Rain, and co-adapted Owen Meany’s Christmas Pageant with Jane Jones. Composing credits include Prairie Nocturne, Night Flight: An Operetta (with Joshua Kohl), Red Ranger Came Calling: A Musical (with Edd Key), The Awakening, Ethan Frome, Owen Meany’s Christmas Pageant, A Child’s Christmas in Wales, A Telephone Call, and I Am of Ireland. Acting credits include Seattle Repertory Theatre, Intiman Theatre, New City Theatre, the Mark Taper Forum, Prairie Nocturne, The Beautiful Things That Heaven Bears, The Awakening (West Los Angeles Garland Award), and Howards End. She originated the role of Candy Kendall in The Cider House Rules, Parts I and II directed by Jane Jones and Tom Hulce. Myra is the recipient, with Jane Jones, of a Paul G. Allen Family Foundation Anniversary grant, the 2010 Women of Influence from Puget Sound Business Journal, and was named by The Seattle Times a 2010 Unsung Hero and Uncommon Genius for their 20-year contribution to life in the Puget Sound region.

Josh AasengJosh Aaseng

Associate Artistic Director

Josh joined Book-It in 2010 as the education associate then served as literary manager for five years. He recently directed and co-adapted Welcome to Braggsville, which was nominated for Outstanding Production for the 2017 Gregory Awards. Josh is also the adapter/director of Book-It’s Slaughterhouse-Five and director of Jesus’ Son. As a consulting director on Frank Boyd’s The Holler Sessions he has worked at On the Boards and ACT in Seattle, the Noorderzon Performing Arts Festival in the Netherlands, PS 122 COIL Festival in New York, and the Guthrie Theater. Josh is a member of the Lincoln Center Theater Directors Lab and a graduate of New York University’s Tisch School of the Arts.

Kayti Barnett-O'BrienKayti Barnett-O’Brien

Managing Director

Kayti previously served as Book-It’s general manager and will continue overseeing daily operations as well as working with the staff and board in Book-It’s efforts to raise funds and increase audiences. She looks forward to ushering Book-It into its next chapter through new strategic planning and equity initiatives. She has been with Book-It since 2015 and was previously the managing director at New Century Theatre Company and a former board member for Theatre Puget Sound. Kayti is a member of the Leadership for Social Change cohort with artEquity and graduated with an MFA in Arts Leadership from Seattle University.

Comments 3 comments

  1. Pingback: Book-It Repertory Theatre | A New Managing Director for Book-It

  2. Pingback: Book-It Repertory Theatre | A Book-It Anniversary to Remember

  3. Pingback: Book-It Repertory Theatre | #SeaArtsFeminism

Leave a Reply